Exposure Basics:Shutter Speed



Exposure Basics


Understanding exposure basics is crucial to making a great photograph. Invest some time to understand the ingredients of exposure. Make sure you read the introduction to exposure first. What is shutter speed? Here we discuss camera shutter speed,and how it affects both exposure and the way motion is rendered.

What is Shutter Speed?

Understanding shutter speed is essential to making a correctly-exposed image.

Camera shutter speed is not really a speed, but rather the length of time that the shutter stays open. This controls the amount of light that hits the sensor. Remember: in our our analogy of filling a bucket of water, the shutter speed is equivalent to the length of time we pour.

Tip

Even though 1/60 is not quite double 1/125, and 1/8 is not quite double 1/30 — close enough! 🙂 These are the standard stops, and the doubling is approximate.

Camera shutter speed is measured in seconds. Like ISO and aperture, the time increments are also enumerated in stops. Remember, a stop up or down will double or halve the amount of light hitting the sensor. Standard shutter speed stops are:

1/1000s, 1/500s, 1/250s, 1/125s, 1/60s,
1/30s, 1/15s, 1/8s, 1/4s, 1/2s, 1s, 2s…

This makes sense! If we leave the shutter open for half a second (1/2s), we let in twice as much light as when we leave it open for only a quarter of a second (1/4s).

To get the same exposure using a shutter speed of 1/2s or a shutter speed of 1/4s, we would have to compensate by varying one of the other ingredients of exposure: ISO or aperture. For example, if we leave the shutter open half as long, we’d have to open it twice as wide to get an equivalent exposure.

 

Exposure Basics: How do you choose the right shutter speed?

 

understanding shutter speed
The moving subject is blurred through the use of a long shutter speed,
in this case a 1/4 second.
© Julie Waterhouse Photography

Camera shutter speed affects more than just exposure. It also affects the way you capture motion. Think about someone running in front of your camera. If you leave your shutter open for 2 seconds, they will run all the way through your frame while you have the shutter open. The resulting image will show a blur, or the person may disappear entirely.

If, on the other hand, you open the shutter for only 1/100th of a second as the person runs in front of the camera, you will freeze the motion.

what is shutter speed
This “Ghost Walker” was created by using a shutter speed
of a 1/2 second while someone walked through the frame.
© Julie Waterhouse Photography

Check out the following exercise to understand this phenomenon.

Exposure Basics: Make someone’s arm disappear!

Try the following exercise. Using a long shutter speed of somewhere around a 1/4 second, take a picture of someone who is slowly waving her arm back and forth. Because the arm moves across the image, it does not stay in one place long enough to register on the film or sensor, and "disappears." Check out the image below to see what happens.

understanding shutter speed
Ouch! The subject’s arm disappears.
Shutter speed was 1/4s, while subject waved her arm.
© Peter Ainley

You can have fun with this effect on a busy sidewalk. Set up your tripod, and use a long exposure of a few seconds (it helps to do this at night, or in low light, so that you don’t overexpose). You’ll end up with ghost trails, and an empty-looking sidewalk, unless there were a few people in the frame who stood still as you made your exposure.

The decision about whether to freeze or blur motion is a creative decision to be made by the photographer. There’s no right or wrong. It just depends on what you’re trying to express. Do you want to freeze running water to see the drops? Use a fast camera shutter speed. Do you want to make the water appear silky smooth? Use a slow camera shutter speed. Neither one is actually the way the human eye sees water. Both are creative, subjective choices.

what is shutter speed
The water droplets are stopped in mid-air by a fast shutter speed,
in this case a 1/1000 second.
© Julie Waterhouse Photography

 

understanding shutter speed

The water is smoothed out somewhat, however
droplets are still visible with a mid-range shutter speed,
in this case a 1/13 second.
© Julie Waterhouse Photography

 

what is shutter speed

The water is silky smooth with a longer shutter speed,
in this case a 1/4 second.
© Julie Waterhouse Photography

 

You may want to review ISO.

Next, read about another of the exposure basics: aperture.

 

Exposure Basics



Exposure Basics


Understanding exposure basics is crucial to making a great photograph. Invest some time to understand the three ingredients in the exposure definition: ISO, aperture and shutter speed. Don’t be intimidated! The concepts are not hard, and once you get your head around them, you’re on your way to great images!

Exposure Definition

Exposure values are all about how much light reaches your film, or in the digital world, your sensor. The end result is how bright or dark your final image is. Exposure is a combination of the luminance (available light in the scene, both natural and artificial), and the following settings on your camera: ISO, shutter speed and aperture.

The best analogy I’ve heard for understanding exposure is to think of filling a bucket with water. You can either pour a lot of water in quickly, or a trickle a little in over a long time. Either way, the bucket ends up full. Think of a full bucket as a correct exposure. Think of the water pouring in as the light falling on the film or sensor.

How long you let the water pour into the bucket is equivalent to how long you leave the shutter open for, which is controlled by the shutter speed.

Whether the water gushes or trickles in is equivalent to how much light is allowed to pass through the shutter at once, which is controlled by the aperture (the opening in the lens).

Finally, think of the size of the bucket as equivalent to the sensitivity of the film or sensor, which is controlled by the ISO. A large bucket needs more water to fill it. A less sensitive film needs more light to expose it correctly.

exposure definition
© Julie Waterhouse Photography

 

Let’s look at each aspect in understanding exposure in more detail.

Next, read about the exposure values of ISO, shutter speed or aperture.

 

Family Portrait Poses



Family Portrait Poses


Family Portrait Poses


Do you want to avoid awkward family portrait poses? We have some great ideas here to help you create photographs that convey warmth and emotion, without looking stiff and formal. Take a look at a few family portrait samples, along with our tips, and you’ll be well on your way to great photos and a happy family!

Okay, Everyone, Get Close. Closer… Closer…!

If you could do just one thing to improve your family portraits, it would be to get everyone to move a little closer together. In most family portraits, people are too far apart, and the space between them makes them appear disconnected.

family portrait poses
Family Portrait Poses:
Cheek to Cheek.

A sense of personal space is a cultural factor that influences how comfortable people are in getting close enough to each other to touch. To capture portraits that convey a sense of togetherness and family bond, you need to push people out of their comfort zone a little, and get them close together. Portraits with couples, or parents and children, touching cheek to cheek are compelling, and exude love and warmth.

Tip


Hands!

People often struggle awkwardly with where to put their hands when they are being photographed. In the portrait on the left, hands are neatly tucked away out of sight.

 

 

Now It’s Your Turn to Get Close

As the photographer, don’t be afraid to step inside the personal space of your subjects to get the shot. Just warn them before you move in, so they can expect it!

family portrait poses
Family Portrait Samples:
Getting Close.

In a portrait, the vast majority of emotion is conveyed through facial expressions, so cropping in tight to the faces concentrates attention in exactly the right place. A close-up like the photo above emphasizes the connection between the subjects, and carries a lot of impact.

The Classic Pyramid Pose

One of the classic family portrait poses is the pyramid. The shape of a pyramid is wider at the base than at the top. This means that for a group, you might place three or four people in a row, with two or three behind, and possibly one or two in a third row behind that. You want to keep the triangle a loose shape, rather than following a strict four-three-two-one arrangement, with the peak in the centre. That would look very contrived! Instead, place the peak off-centre or have the rows decrease unevenly (e.g., five-three-two). This will keep the pose more casual.

family portrait poses
Family Portrait Poses:
The Classic Pyramid

In the photo on the left, a pyramid has been achieved with only three people. Because of the way Mom is leaning over, her form takes up more room, and so our overall shape is wider at the bottom.

Note the soft, out of focus background created using a wide aperture.

Tip


Feet and legs:

One way to avoid seeing feet and legs in the image is to have your subjects lie down on the ground with their legs stretched out behind them.

 

Large Groups

Family portrait poses with large groups can be challenging. The bigger the group, the bigger your challenge!

As with any big task, the best way to tackle it is to break it down into smaller sub-tasks. Pose your subjects in mini groupings of two to four at a time, and build your overall pose out of these sub-groups. It helps to pose the adults first, because children have shorter attentions spans, and might not be able to hold their places until you’ve finished the rest of the groups!

family portrait poses
Family Portrait Poses:
Large Groups

Tip


Using Flash:

If you are using flash, stand where your flash unit is, and look in the direction it’s pointing. Can you see all the faces? If not, your flash can’t "see" them either, and they won’t be lit.

Make sure that you have people in a variety of positions, and that not everyone is holding the same pose.

Before you take the photo, make sure that all faces are visible. You don’t want anyone being blocked by anyone else. Do a quick scan, and make sure that you can see everyone’s full face, and also that there are no disembodied heads. You need to be able to see at least part of the shoulders for the pose to look natural.

You must always watch out for blinking, but the problem is even more likely to occur in a large group. Take several photos to make sure you get at least one with everyone’s eyes open.

A More Candid Look

The days of having everyone look at the camera and say cheese are, thankfully, disappearing. Today’s family portrait poses are more casual, and a candid style is preferred. To this end, get your family members looking at each other, rather than at the camera. This shows them interacting with each other, and once again, emphasizes the family connection.

family portrait poses
Family Portrait Poses:
Family interaction.

As an aside, check out the coordinated clothing in the portrait above. It helps to unify the image. White, especially against a blue sky, gives the image a clean, fresh look.

More Tips for Family Portrait Poses


Do… vary the levels within the portrait. That means not having everyone’s head in a row. Look at the family portrait samples on this page to see what I mean.

Don’t… line everyone up in a vertical row so all you see are their heads. It just looks creepy :-). Similarly, don’t have a parent hold a child directly under their chin.

Do… try to get even lighting across all your subjects.

Don’t… let people tilt their heads over. It’s okay for a couple who are leaning in to each other, but not in a group portrait. It’s especially common to see people on the end of a row tilt their heads in and down. It seems to be an instinct. Watch out for it!

Do… avoid the disembodied hand! This happens when one person puts their arm around another, and all you see on one side is a hand that’s reaching around the other person’s waist or shoulders. It looks out of place in the final image.

family portrait poses
Family Portrait Poses

 

 

 

 

 

 

 

 

 

With this collection of family portrait poses, you should be ready to get out and take some pictures that will make the whole family happy!


Next, make sure you’ve read the other part to this article to give you some more family portrait ideas.

You may also want to read a fun article on portrait photography technique by guest author Larry Monzcka.

 

How to Take Good Pictures



How to Take Good Pictures



Ultimate Photo Tips brings you “Two Minute Photo Tips,” a podcast series covering a wide range of photo tips designed to improve your pictures.

 

Two Minute Photo Tips: Podcasts

Each audio podcast will open in a new window with a built-in media player.

 

Family Photo Tips

family portrait ideas

Learn how to take good pictures of your family and friends. Get creative with your family photos! Stop getting everyone to say "cheese" in a formal pose, and start capturing more natural portraits.

Podcast on family portrait ideas

 

Bracketing

bracketing

What is bracketing, anyway? How do you do it? How can it help you?

Podcast on bracketing

 

 

 

Mirror Lockup

mirror lockup

Mirror lockup is useful when you’re shooting on a tripod, and want super-sharp images. It is especially useful when you are shooting macro or close-up.

Podcast on mirror lockup

 

 

 

 

Selective Focus

selectve focus

Selective Focus is a technique used to draw attention to a particular element of a photograph by making it the only piece in focus. Find out how to achieve this professional-looking effect.

Podcast on selective focus

 

Next, you may want to read an article by special guest writer, Larry Monzcka, with basic photography tips to take your pictures from snapshots to wall-worthy. It’s all about the details.

 

Photo Challenges: April 2011



Photo Challenges: April 2011


Photo Challenges:
April 2011

Travel

Maybe I just have the travel bug, and am looking for some new places to visit, but I thought I’d make the theme this month "Travel." It can be an exotic location, or it can be your friend’s cottage; good pictures are everywere. Show us where you’ve been!

Enter your super-amazing photos in our photo contests. The winning image will be featured on the Ultimate Photo Tips homepage for all of the following month.

One entry only each month per person, please!

Submit your image.

See what other people are submitting, and vote for your favorite:
View other entries.

 

My Travels

photo challenge
Valley of Fire, Nevada, USA
© Julie Waterhouse

 

photo challenge
Istanbul
© Julie Waterhouse

 

photo challenge
Quebec, Canada
© Julie Waterhouse

 

photo challenge
Algonquin, ON, Canada
© Julie Waterhouse

 

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Photo Challenges: April 2012



Photo Challenges: April 2012


Photo Challenges:
April 2012

Vanishing Point

I’m proud to say that this month marks the two-year anniversary of the start of the Ultimate Photo Tips monthly photo challenge!

A vanishing point is a point in your image where parallel lines appear to converge. Think of train tracks receding into the distance that look like the two rails meet at the horizon. Vanishing points were first used in perspective paintings by Renaissance artists like Donatello and da Vinci. It can be a very effective tool to lead your viewer into your image.

You have probably already taken many images which contain a vanishing point without even realizing it! A road, a path, a fence, and wall, all have parallel lines which will appear to converge in the distance.

Check out some cool examples of urban vanishing point photography here: http://abduzeedo.com/amazing-vanishing-point-photography

This month, we’re looking for photos which include a vanishing point.

Read the rules. One entry only each month per person, please!

Enter your super-amazing photos in our photo contests. The winning image will be featured on the Ultimate Photo Tips homepage for all of the following month.

Submit your image.

See what other people are submitting, and vote for your favorite:
View other entries.

 

Vanishing in the Distance

photo contests
The rows of vines converge.
© Julie Waterhouse

 

photo contests
Road to Nowhere.
© Julie Waterhouse

 

photo contests

The path disappears at the horizon.
© Julie Waterhouse

 

photo contests
The parallel lines of the top and bottom of the fence converge in the distance.
© Julie Waterhouse

 

photo contests
Although the road is curved, the sides of it still appear to converge in the distance.
© Julie Waterhouse

 

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Photo Challenges: April 2010



Photo Challenges: April 2010


Photo Challenges:
April 2010

Get ready for this month’s challenge! Grab your gear! Let’s go! This month’s topic is (drum roll please)…

Feet

That’s right, feet! However you want to imagine them. Bare feet, feet in shoes, dancing feet, little feet, big feet (Big Foot?)! Show us feet in creative and unusual ways.

Enter your super-amazing photos in our photo contests. The winning image will be featured on the Ultimate Photo Tips homepage for all of the following month.
Submit your image.

See what other people are submitting, and vote for your favorite:
View other entries.

 

My Feet

Here are a few examples from me to get you started.

Ghost walker
Ghost Walker
© Julie Waterhouse Photography

 

Baby feet
Baby feet
© Julie Waterhouse Photography

 

Boots
Boots
© Julie Waterhouse Photography

 

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Online Digital Photography Courses



Online Digital Photography Courses


Clear, helpful, online digital photography courses, with a selection of topics including "the basics," close-up photography, and Adobe Photoshop tutorials.

eCourses are conducted by Julie Waterhouse Photography (the same person who is the voice behind this website!).

Here are quick links to the available courses:

How the Courses Work

A link to your password-protected lesson arrives after you register. If there are multiple lessons in your course, they arrive via email once a week. Each lesson includes clear, in-depth instruction, and example images with explanation. Accompanying the lesson is an assignment based on what you have learned, so that you can practice on your own.

As a valuable extra, you have the ability to add personalized instructor critique of your own images to your package.

Why choose an e-Course?

Convenient! You can read the lessons, and complete the exercises on your own time, and from wherever you are located.

Flexible! Start the eCourse any week you want. No need to wait for the "next scheduled class."

Why Add Instructor Critique?

Personal! You get individual attention and critique of your own images by the instructor.

Valuable! You receive honest, constructive, helpful, and encouraging feedback.

Read testimonials from other students about workshops and courses from Julie Waterhouse Photography.

Buy Additional Image Critiques

Purchase additional image critique credits here, in blocks of 2, 5, or 10 images.

 

eCourses: The Basics

 

Exposure 101

 

Visual Design I

 

Visual Design II

 

eCourses: Adobe Photoshop Tutorial

 

Rate as beginner, Intermediate or Advanced

 

Digital "Ortons"

 

Dodging and Burning

 

5 Tricks to Add "Wow!" to Your Images

-selective colour blacks

-Diffuse Glow filter

-poster edges

Curves

-high pass filter

 

eCourses: Close-up Photography

 

Creative Close-up Photography

Discover the fascinating world of close-up photography.

Find out more.

Register now.

special package including beginner composition – 5 lessons

3 lessons (omits lessons 2 & 3 from above, and pre-reqs equivalent knowledge)

 

Fun Close-ups with Foil and Colored Water

 

Toronto Photography Courses

Julie Waterhouse is based in the Greater Toronto Area, and offers monthly in-person workshops locally, including guided field trips, hands-on close-up photography workshops, and classroom courses.

Browse these testimonials from her students.

 

You may want to visit the next digital photography basics page to learn about shooting in RAW vs JPEG.

Online Photography Courses



Online Photography Courses


Clear, helpful, online photography classes from BetterPhoto.com.

Here are quick links to the available courses:

 

You may want to visit the next digital photography basics page to learn about shooting in RAW vs JPEG.

Photo Challenges: August 2011



Photo Challenges: August 2011


Photo Challenges:
August 2011

Elevating the Ordinary

A good part of photography is about making the ordinary into the extraordinary. That’s what we’ll concentrate on for this month’s challenge. Look for ordinary objects in your everyday world, around home or your neighborhood. See if you can photograph them in such a way that you turn them into something a little more.

Try looking at objects from a different perspective, or getting close up and shooting just a portion of them. Look for ordinary objects in extraordinary light. There’s beauty to be found all around us every day. This is a great exercise to train your photographic eye to really observe the world. Once you start paying attention, you’ll begin to see your surroundings in a new way.

Get out there and start shooting, and engage your viewers so that they take a second look at something they would normally take for granted.

Enter your super-amazing photos in our photo contests. The winning image will be featured on the Ultimate Photo Tips homepage for all of the following month.

Read the rules. One entry only each month per person, please!

Submit your image.

See what other people are submitting, and vote for your favorite:
View other entries.

 

My Ordinary World

photo challenge
Water flowing down the drain in my bathroom sink.
© Julie Waterhouse

 

photo challenge
Another shot from my bathroom: the bottom of the shower curtain.
© Julie Waterhouse

 

photo challenge

Grocery cart conga line
© Julie Waterhouse

 

photo challenge
The side of my neighbor’s house
© Julie Waterhouse

 

photo challenge
My guest room lamp
© Julie Waterhouse

 

photo challenge
Reflections of a street lamp in the parking lot.
© Julie Waterhouse

 

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